76. One Too Many Artifacts

There are days I go wandering 

through bars looking for him, small 

and Irish and drunk and laughing and 

warm as amber. He escorts me on his arm

proving we mean something, pins me 

to his filthy lapel, a foreign legion badge from 

a culture once visited, deserted now for toothless 

old men and women rough as splinters

underfoot. My feet stick to the breath of vomited 

beer and my fingernails stick to the breath of strained 

smoke and my heart

pries at the bottles 

for him,

long lost from a ship plying Vietnamese 

waters for drug-spliced lists describing some future 

fist now in his face.

The old men drool at my name and their hands 

describe my curves as one woman though they 

must see two. Their rheumy eyes cling to my 

neck, gagging me with the rags of their dry 

fingers, probing my waist with their faulty 

memories, though I pity.

I let them paw

for my cheap pity.

The women with missing front 

teeth and fingers in brassy nicotine 

gloves wink, laughing. We’re all on the same 

sinking island, dribbling sand in our eyes to see 

all the places it’s been

while he talks on about politics straighter than 

I ever will, recalls survey line names I’ve long

forgotten, making me wish I was drunk Irish

and safe from my own:

something as easy as a wall 

built of bottles.

I will walk home before dark

stinking of rape and cordite,

alone.

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