70. Talking Rock to Feet

Coyote skitters between

sagebrush and bright blooming rabbitbrush,

rides beside cracked playa beds

where clay sleeps.

Coyote’s paws are talking,

talking as he walks

right on top of desert floors.

Rabbits huddle close

to themselves, stars of earth surface,

dry land between cacti shifts

while coyote

passes.

.

Map tracks turn

and gather,

leaving little whispers.

I went this way.

I went there.

.

Dusk is watching,

shredding light with early stars,

following coyote west.

.

69. Stars

Stars skip out over the black branches

of screwbean mesquite, catalyzing

coyotes hungry for a breeze,

a rabbit, each other.

.

I would guide your hand across my body

star to star and between each

we would be one in one space.

If you were here I would,

to hear your breath catch

to taste the desert dust

crushed creosote and wolfberries

and the sweat-salt of hunger

hot on our cracked lips.

I would tenderly swing my body

in an arc as wide as Sonoran horizons

to include all of you in my passion,

quiet as midday, bold as midnight

and strong as both

in joined silence.

.

Creosote blooms leak notes the desert air

hangs all the other notes from 

to weld a symphony.

.

68. suburbia

instinct subverted,

his eyes

catch

tuck tail

ping

off concrete

and return

like some tilted pinball,

traffic quick between.

.

couldn’t be twenty-five

years ago that boy

chained up in gold, blue

tattoes on a skin web

say

hey baby,

leaning easy on a rail 

and offering the dollars

tucked in the silk suit,

handkerchief pocket,

winks for all

i’d pull in on a weekend

and laughed

and i laughed right back.

.

that street jam

confidence now melted 

by blue boy eyes,

scattered in trimmed treetops

above summer lawns

sprinkled green:

i let that happen.

somewhere lost

the bone knowing

grace of filth

like born on a trust fund.

i wasn’t.

.

suburbs don’t happen –

they ooze,

busting us close

against every hedge

then spitting us out

on the world,

instinct shot.

.

64. Slim Canyon

canyon rock sweeps 

a mild west curve

by the cottonwood just

drifting toward green with damp

dark against root 

tapping two feet down;

where the two red rocks

lie flatly cupped

by wide bedrock 

and fox cross daily,

under sheltering sandstone’s mass

overhang, stained by drooling rim

and fire 

are stones, dressed and 

stacked and fallen

back to earth again,

lying in weak spring sun 

like exhausted children

left on the beaches of war.

.

Slim found Guadalcanal

in a storm of metal jackets,

a flash-flood of fear

and he walks the canyon 

named for him.

He rustles cottonwood leaves

with fingertips.

He kicks sand

into wind’s posture.

Slim whistles through doors

of shored adobe,

tapping rocks.

His palms are all over the walls.

His feet are all over the sky.

Between ripples

marked by flood is his breath,

there in the troughs.

In the evening he lies quietly

beside the stones,

dressed and stacked and fallen

back to earth again.

.

Each breeze is cold

against ruins whitened by moonlight.

All the pots are broken pots.

All the songs are old 

and specific.

.

63. She Lost Three Lovers in Texas

She lost three lovers in Texas

it is such a big state

full of tall hair,

women with trinket cars,

attorneys at law doing Dallas.

Everyone has two bulldozers

called arms.

.

The U.P. is home, frozen 

with trees on top.

Birds trickle out of September

and all the love you have

you know you will need.

December is longer than

cars crashing.

.

In Texas,

flint stars

big as her pupils and

she shaved the right side of

all of her head.

On the U.P. that hair grew out.

She rattled borders of her mattress

until northern home frost 

settled her down.

.

61. old vengeance

today when the grass 

flattened like downed geese

under the onslaught

of a demon wind, I drew

your missing heart

in the vacated space.

.

the dipped shoulder of love

the torn artery bleeding

into my waiting hand

.

then fed that liquid

back to the soul you stole

(my own)

.

evening dropped the wind 

so grass stood up in

the space between my prayers.

your bloodless hands wilted

under darkness, cooling the heat

of vengeance.

60. 1989 (for F)

In this photograph grass is dirty

blond pelt of earth blown to 

bend inland, blown to 

bend touch your 

flanks the way my hair leaned 

in candlelight toward you, your 

tender palms currying 

my own flanks.

.

In the photograph your black eyes

lock to the lens, keeping you.

.

In this photograph of your lithe 

body young by the sea, casual

in its place against earth, intense 

in its focus on my hand cradling 

a cold camera, every slow 

night gone leans inland, arrives

on a new wind

to wake me from age.